Tv pilot script sales1/11/2024 So-called “multihyphenates” - writers who wear other hats, such as being a producer, performer and/or director - are allowed to continue performing only explicitly non-]writing work during the strike. Otherwise: “Writers who wish to perform writing services in connection with fully animated theatrical features and television programs are advised to consult with WGA staff to determine whether such writing is prohibited before performing, or contracting to perform, any writing services.” When it comes to animated projects, where the WGA covers writing in some instances and The Animation Guild (an IATSE Local) covers writing in other cases, the union advises that its strike rules apply to all WGA-covered animated series. Writers cannot write for film, television or new media projects covered by the contract for non-union companies, thanks to the guild’s Working Rule 8, which bars members from taking work from “any person, firm or corporation who is not signatory to the applicable MBAs.” “Struck companies” include Universal Television, Walt Disney Pictures and Amazon Studios LLC, among many others. Overall, writers must avoid “the performance of writing services for a struck company in connection with audiovisual or audio works intended for initial exhibition in any market covered by the MBA, including feature motion pictures, television and new media, as well as the option or sale of literary material for that purpose,” the guild has stated. That is why the WGA is encouraging all its members to refrain from accepting writing assignments for struck companies regardless of whether that work is covered under the Guild’s jurisdiction.” When asked about fiction podcasts and video games specifically, a WGA representative referred to the guild’s strike rules, which say the restrictions apply to fiction podcasts covered by the WGA, while writers on other fiction podcasts should consult the union on a case-by-case basis. Said the WGA in a statement to The Hollywood Reporter, “While the Guild cannot prohibit members from writing in areas outside our jurisdiction, work on projects that are nonetheless in the entertainment industry and run by struck companies undermines our efforts. If WGA members have interest in bringing their talents to other mediums during the strike, they can theoretically still work for markets outside the purview of the contract under negotiation, like on books or newspaper opinion columns. Once it’s written, though, “neither you nor your reps can shop, option, or sell the spec script,” the WGA is instructing members, or “take any action to further the future option or sale of the spec script, including developing the script with a producer, or attaching talent or other elements to the project.” Once the strike is over, writers with spec scripts on hand could then work with their reps to potentially benefit from the fruits of their labors. Notably, writers can still pen “spec” scripts, or a script that has not been commissioned, according to guild rules. The short answer: Not much, when it comes to writing for the screen. But, given the extraordinary circumstances, what can the WGA‘s 11,500-odd film and TV writers actually do as long as the strike lasts?īeverly Hilton Reaches Deal With Hotel Workers' Union, Averting Picket During Golden Globes Of course, that’s the whole point of a strike: to deprive an industry of the contributions of union members, in order to show how much they matter to the ecosystem and improve workers’ strength at the bargaining table. And as the days passed by, a frequently asked questions webpage accompanying the list was updated to reflect that activities like “For Your Consideration” or film festival promotion are no-gos. Taking meetings or responding to notes? Forget about it. Writing, pitching, revising, negotiating - all forbidden, according to the Writers Guild of America. Even before thousands of Hollywood writers went on strike on May 2, their union sent out a lengthy list of prohibited activities during a work stoppage.
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